Oana’s latest insight over last few hours
on the set design for Serra’ is quite beautiful.
I just heard about it and will let Oana describe it herself !
It has conceptual crispness —
a lot of experiential aspects click into place —
and it seems buildable.
As a resonance:
it also leads me to re-understand a most cherished poem:
Dylan Thomas’ The force that through the green fuse drives the flower,
which comes into play in the last two pages of my book,
on ethico-aesthetic play and the re-enchantment of the world.
Gratefully
